We are yabbering away on the back seat behind blacked-out windows, but before the car has truly stopped, Adele – cackling, conspiratorial, complex – has flung open her door mid-sentence and, head down, is loping across the concrete at speed.Kajian Kesesuaian Iklan Produk Pangan di Media Cetak Terhadap Peraturan Perundang-undangan yang Berlaku: Studi Kasus pada Tabloid NOVA, Majalah Kartini.Photo Celebs Cynthiara Alona. It is late afternoon in Manhattan, and her low-slung Mercedes is squeezing down a narrow ramp into the basement car park of the Four Seasons Hotel, the latest manoeuvre in the 15-times Grammy winner’s decade-long mission never to be photographed unawares. There is an art to being Adele, which is to say that being the world’s most fleetingly glimpsed megastar is not a status achieved by bungling your exit from a limo. Tentunya di e-mail yang kita kirim tersebut, sebaiknya kita berikan surat pengantar yang berisikan mengenai data pribadi kita, seperti nama, alamat, pendidikan terakhir penulis, minat dan spesialisasi penulis, nomor. Naskah artikel bisa dilampirkan sebagai file attachment (file lampiran) dalam e-mail yang kita kirim ke redaksi media massa.
I’m taking too long, and when I catch up to Adele, something like worry, and a little like annoyance, have roamed across her normally merry features. Fumbling with my seat belt and recording paraphernalia, I scramble out after her, somehow dropping my bag on the ground, as up ahead a tense security guard pointedly holds open the hotel door. Cynthiara Alona is a top popular Indonesian beautiful model with beautiful Asian and charming face, hot and sexy model, Indonesian actress, hot and sexy actress, Indonesian Master of Ceremonies (MC), Indonesian Disc jockey (DJ), Indonesian celebrity, hot.
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Artikel.And we’re off: “I’m alrite, ’ow are you?” she launches in, heavenly accent unchanged. Fakultas Psikologi menyelenggarakan seminar nasional PESAT (Psikologi, Ekonomi, Sastra, Arsitektur, dan Teknik Sipil) pada tanggal 20-21 Oktober 2015. 2 November 2015 0 comments.
For a certain sort of prickly Brit, the worry is that reality might have become a foreign land to her – but the signs are good. In paparazzi terms, she essentially lives off-grid, in what the papers love to call her “compound in Beverly Hills”, next door to Jennifer Lawrence et al. In a world that can’t agree on much, perhaps we can once again agree on Adele.She hasn’t spoken to a journalist since 2016, and on top of, you know, a pandemic and the general day-to-day of being a single mum, she’s been married and divorced in that time. To be honest, it feels like she has turned up in the nick of time. She is once again ready to play havoc with the emotional wellbeing of a billion music fans to deliver the latest chapter in the sonic revelations of her heart. The single is imminent, the album approaches.
Apparently, locked down in California with her son, Angelo, and myriad pets, her parenting style devolved like everyone else’s. Then, “Instead of being like, ‘You effing… ’” at this point, she drops her first delicious C-bomb of the day and falls about laughing.So she’s well. “I have to really address myself now,” she says, earnestly.
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I really want people to hear my side of the story this time.” With that, she rummages in her handbag and hands over a pair of AirPods.Under the hot teatime sun, the first strains of a song she doesn’t yet want to reveal the name of hit my ears. “I feel like this album is self-destruction,” she replies, carefully, “then self-reflection and then sort of self-redemption. Or is she? With the honour of being the first to pose the question, I ask where we find the 33-year-old heartbreak queen, no longer 19 or 21 or 25. Whatever!So we can all breathe a sigh of relief. In full Peggy Mitchell mode, Adele growls: “The dirty sod!” Then – presumably imagining tomorrow’s headlines – looks briefly panicked, before shrugging. At one point, talk turns to former health minister Matt Hancock, whose office-hours romance with a friend he’d hired with public money saw him resign in the summer.
“My son has had a lot of questions. For the son of more than one divorce, suffice to say it’s pretty moving.She recorded it – like a lot of the album – for her son, she says, as, already a touch damp-eyed, I hand back her earbuds. Sitting opposite me, she flits between nervously examining the horizon and shooting across smiles of such genuine warmth they catch you off guard. I’m not sure she’s ever been in finer voice. “Go easy on me…” entreats the chorus, which sits between verses that recall her fraught childhood, her lost marriage and the lessons learnt and unlearnt about family, love and abandonment along the way.
For the uninitiated, the thinking is that Adele Adkins wed Simon Konecki (founder of the charity Drop4Drop, her long-term partner and the father of their now nearly nine-year-old son) at some point in 2016 (she called him “my husband” when picking up a Grammy in early 2017), and they split in 2019, finalising their divorce earlier this year. The opening vocal, she explains, came to her when she “was singing a cappella in the shower” one day in 2018… Hang on, 2018? The years are hard to tot up. It was the first song I wrote for the album and then I didn’t write anything else for six months after because I was like, ‘OK, well, I’ve said it all,’” she says. “It’s not like anyone’s having a go at me,” she says, “but it’s like, I left the marriage. And that’s a real wound for me that I don’t know if I’ll ever be able to heal.”She exhibits that rare combination of confidence and shell shock a person emerging from a long period of self-examination.
I think a lot of women are going to be like, ‘I’m done.’“That one is obviously about stuff that happened, but I wanted to put it on the album to show Angelo what I expect him to treat his partner like, whether it be a woman or a man or whatever. “Can you imagine couples listening to it in the car? It’d be so awkward. “The chorus is like… with receipts!” she nods happily. “No, but say what you really mean,” I laugh somewhat nervously when it’s over, and she looks pleased. Laziness, opaque emotions, remoteness, as she implores its subject to give her a bit more goddam respect.
I wasn’t miserable miserable, but I would have been miserable had I not put myself first. I didn’t want to end up like a lot of other people I knew. “It just wasn’t… It just wasn’t right for me any more. There’s a very big pair of shoes to fill.” Was the ending more drift than implosion? “Yeah,” she says, again carefully.
It’s taken a fair chunk of her adulthood to process it – and she partly blames too much walking on eggshells. Her mum, Penny Adkins, and dad, Mark Evans (who died earlier this year), broke up shortly after she was born, and her relationship with her father was strained through the years, to put it mildly. “My parents were definitely frazzled,” she says. I’ve always let him know how I’m feeling from a very young age because I felt quite frazzled as an adult.”She saw the effect in her own childhood.
We’ve been trained as women to keep trying, even by the movies we watched when we were little. That thing of not being able to make something work. “People were everywhere, trying to get stories, and I just hated it. I find the anxiety gets worse when you try and get rid of it.”“But I was terrified,” she says, of her lowest patch. “I definitely learnt a lot of tools in my therapy, but I also just go with it.
Adele is keen to see the Willi Smith: Street Couture exhibition – dedicated to the genius American designer of the late 1970s and ’80s, credited with a bottom-up approach to democratising fashion, and whose legacy as a Black creative is being paid some overdue attention. Shall we go in and see the show?”Typically, Cooper Hewitt is closed on Wednesdays, but the museum staff kindly opened up specially for us (well, I say us). How we’re told to suck it up.” She shrugs.
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